Media Watch: Black Actress Update – Has Hollywood Been Good to Them Lately?

Last post of the year. So, Happy New Year. Have a prosperous 2013, and many more.

Let’s get down to business. I’ve compiled all the shows that I noticed have black women (two black parents or not) as main characters or otherwise.

Always feel free to add shows / movies I may have missed … I’ll update this post over time.

Kerry Washington
Kerry Washington – image from celebritynetworth.com

Scandal – Kerry Washington, Columbus Short

Update: The NY Times has discovered the historical nature of this show: “Scandal on ABC – breaking barriers“.

Update: Faith (actsoffaithblog.com) has written a very compelling and incredibly insightful post about the show. This is in regards to Star Jones trying to dictate via twitter to Shonda Rhimes (executive producer / writer / et al)   who she wants Olivia Pope to be partnered with.

Did I happen to mention that the analysis is awesome? Please, check it out:

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Apparently, for the first time in eons a black woman (with two black parents) had a show of her own on network television. I love soaps. I love the drama. The crazier the better. This show moves much faster than I expected. And what beats the most powerful man in the world being “wide open” for a black woman? Very stimulating. 😀

I was initially worried that Shonda Rhimes was going to bury her main character, Olivia Pope, behind all those “special” white women on the show. She did not, and does not, do that. What I love most about this character is that she is: petite, elegant, beautiful, smart and vulnerable. Yeah, she’s not superwoman. She cries, but when she’s ready – her mind gets to work and she runs a superb game. I love any show that brings on a woman as a “fixer”, but not someone physically pushing her weight around, cursing and screaming at anyone, or doing anything stereotypical. Not an eye roll, neck twist, lip smack, or hand-on-the-hip in sight.

It’s a fine line, presenting a black woman with this amount of complexity, but this show rides it nicely. And I like that with this character, there’s much more to learn about her. Every couple of episodes peels back another layer to that mysterious onion. Wonderful.

So, I want to thank you, Shonda Rhimes for making this show, and letting the world revolve around Ms Olivia Pope (Kerry Washington).

I like Columbus Short‘s character, Harrison Wright, as well. I’ve seen him in a few movies. I like the way he speaks, his careful delivery of lines. He really looks like one of the few actors who enjoys himself and gets immersed in his role. I think what I’m trying to say is, I can’t recall if he’s ever played a thug. He seems able to avoid falling into stereotypical “black guy” roles most other black actors get by default.

Maybe, unlike the others, he’s found a way to move beyond those roles….

Aunjanue Ellis - image from blackfilm.com/read/2012/09/aunjanue-ellis-tapped-to-co-lead-new-amc-legal-drama-series/
Aunjanue Ellis – image from blackfilm.com

NCIS: Los Angeles – Aunjanue Ellis, LL Cool J

Low and behold on NCIS: Los Angeles they found out that LL Cool J‘s character Sam Hanna is married and a father! Not only that! She’s a real two black parent black woman! I am shocked. Shocked! I tell you. Usually, when a brown skinned actor like LL is cast with a woman, she’s skim milk black with a teaspoon of chocolate.

She’s darker than him!!! Sorry, but the credo with color casting in the media is always a black guy who’s charcoal and a woman who looks half white. It’s racism against dark-skinned black women and lighter complexioned black men. So, it was nice to see something different for a change.

And the plot of the show? I don’t know. I had stopped watching NCIS: Los Angeles, because I was getting tired of all the other characters having a life whilst LL Cool J did not. I will have to catch up to the season. All I know is that Sam Hanna’s wife, played by Aunjanue Ellis,  is an undercover agent going by the name of Quinn. From what I see, I like how she rolls.

Part of me is afraid to see the next episode, because of what Hollywood usually does with black families….

Overall, I really like the NCIS shows. My longtime favorite is the original. Mark Harmon has aged well. Still a handsome man. The formulas for these programs work.

Update: Almost forgot there was an NCIS episode (Season 10, Episodes 10) that featured Rose Rollins as a Navy Lt Commander married to a former military officer who happened to be white.

Danai Gurira - Photo by Michael Kovac/WireImage
Danai Gurira – Photo by Michael Kovac/WireImage

The Walking Dead – Danai Gurira

As I said to my girlfriend, “They killed off Shane (Jon Bernthal), why I need to watch it now?” The show follows the novel / comic book sorta closely. I heard they deviated from killing Shane off earlier, because he had a fan base. Why not keep him around indefinitely? Oh, well.

Apparently, a show with so many characters needed to make room for one of its centerpieces: Michonne (Danai Gurira). She’s a samurai-sword wielding warrior kind of woman. Keeping everybody safe from zombies. All right now!

I’m all into zombie, science fiction, action and mystery stories / movies, so I’m thrilled about this.

And I saw that trailer for World War Z with Brad Pitt. I cannot wait!!!

Salli Richardson-Whitfield
Salli Richardson-Whitfield

Eureka – Salli Richardson-Whitfield and Tembi Locke

This was the last season for the show. I love how it ended. I never saw the first episode, but it gives it a nice loop, which make the show self-containing. If that makes any sense.

I usually dislike (hate, hate, hate!!!!) it when the main characters of a show are required to fall in love. I know that’s what the fans usually demand. And 9 times out of 10, that will kill off a good show. It’s like, once the writers throw them into bed, they’re depleted of new material, and go, “Now what?”

I have to say that the chemistry between Salli Richardson-Whitfield (Allison) and Colin Ferguson (Jack) worked. It felt genuine. I wanted them to be together. And when they did, it didn’t get lame like we see with most other TV show couples. They seemed like a perfect fit. I think because they were really really good friends that respected and loved one another. Being “in love” was another aspect to their relationship. And goodness, I wanted to be in a couple like theirs!

Even though their erotic tension was muted, it wasn’t primary, like we see with most other shows, where everything goes flat the minute they get together. The failure with other couples (Moonlighting) was because the sincerity wasn’t there from the beginning. Other couples worked (Cheers?), because the tension never goes away, sometimes it intensifies.

And breakups are fine even after they get together, that shows the writers know how to work their material.

Tembi Locke
Tembi Locke

Update: Crazy of me to forget Tembi Locke. She played Grace Monroe, the wife of Joe Morton‘s character Henry Deacon in the alternate universe. She was a major character on the show as well.

Person of Interest – Taraji P. Henson

This is the first program I can recall where a black woman had the top billing on a network program, I mean as a major character, not just part of an interchangeable ensemble. And this show preceded Scandal – timewise – by a country mile. I enjoyed POI immensely. I love shows with intricate plots. But I lost track when CBS pulled the online plug. So I have to wait for it via DVD or some other method to catch up with it.

I liked the chemistry between Taraji P. Henson and Jim Caviezel. I don’t need for them to get romantically involved or hot and heavy (hmmm, maybe though). I liked their dialogue. When I started watching, the show gave me the feeling of a modern day revamping of Batman as a former special forces soldier (Jim Caviezel) with Catwoman (Taraji P. Henson) as a cop. Don’t know if anyone else feels that way, but that’s just my take.

Meagan Good
Meagan Good

Deception – Meagan Good

Brand new show. And if I’m not mistaken, will be the second major network show with a black woman as a lead character. Wow. If it’s fun like Revenge with the quality of Scandal, it should last. Haven’t seen it yet, so I cannot judge.

What’s also interesting is how Hollywood can now locate beautiful two black parent black women to star in TV shows. Were they hiding somewhere before?

Anyway, hope the show does well. I’ll try to catch up and see it.

Warehouse 13 – CCH Pounder as Mrs Irene Frederic, Genelle Williams as Leena

The character of Mrs Irene Frederic is still going strong. Although she doesn’t appear in as many episodes. The character Leena, played by Genelle Williams, “died” in episode 10, Season 4. Not sure what happens after that. I heard a new character – a black woman – will be joining the show. We’ll see.

Suits – Gina Torres as Jessica Pearson 

I love this show. The dialogue is witty and silly. It doesn’t lean too heavy on the lawyerly (is that a word) stuff, but deals more with problem solving before they reach the courtroom. The show manages to make chasing clients down and dealing with sheets of paper for court filing seem exciting. That takes talent.

And I don’t care how bad a show is, if Gina Torres is on it I’m watching. Yeah, I’m a fan. Did you know she’s Laurence Fishburne‘s wife? I had no idea. I only ask that she cut back on cooking for him: he’s gonna explode any day now.

Franklin and Bash – Dana Davis as Carmen Phillips, Garcelle Beauvais as Hanna Linden 

Yes, Mark-Paul Gosselaar (Mr. Saved By The Bell) has a show with two – count ’em, two – beautiful black women (with two black parents). And the show is already into it’s third season.

I think that’s a TV network record.

Parenthood – Joy Bryant

I’ve never watched the show. Unfortunately, I never had the time, and I didn’t realize it was still on and running. Maybe I’ll catch it one of these days. I don’t think I ever saw an ad for the show. Interesting.

It’s been on for a good number of seasons. Good for them.

Parks and Recreation – Retta

Community – Yvette Nicole Brown

I get these two shows – P&R and Community – mixed up. Although I shouldn’t. I honestly thought they were the same program. And like Parenthood, I haven’t seen any advertising for P&R.

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Last, Last, Last! Update:

Grey’s AnatomyChandra Wilson

After Isaiah Washington left, tried to hang in there. Couldn’t. But glad to know Ms Thing is handling her business on the show. I read somewhere that they found her character a man. Hmmm.

GleeAmber Riley

Years ago, I watched the first episode. Never went back. Although, good for her that she’s still there. She can sing. I don’t know about the others.

Penny Johnson
Penny Johnson
Grabbed from superiorpics.com
© Retna

CastleTamala Jones and Penny Johnson

Any major network show that can have two beautiful black women as major characters gets props from me. It’s been a while since I’ve watched. Gotta get back on track.

Justified – Erica Tazel

They took this show off online, and I cannot find it anywhere else! Not even on Amazon (instant video). I don’t know if I can bother with Netflix or iTunes.

I just need my fix of watching Timothy Olyphant swagger once in a while. Guess I’ll have to hunt down the DVDs.

Why do these entertainment companies do this? Don’t they want viewers? Not everybody has cable TV.

White Collar – Diana Barrigan and Diahann Carroll

Ms Carroll is not a main character, but I get very happy whenever I see her. I want to look as elegant, and be on point, when I grow up.

Cast Members Dominic West and Sonja Sohn  of HBO's"The Wire" Celebrate Season Finale at TAO Nightclub in Las Vegas, Nevada on March 8, 2008
Sonja Sohn
Grabbed from superiorpics.com © Retna

Burn Notice – Sonja Sohn

Sonja Sohn is in the following six episodes: Over the Line, Down & Out, Best Laid Plans, Odd Man Out, You Can Run and Game Change. Really enjoyed her performance. She needs her own show. Having her as a one-of-a-kind black woman Federal Marshal or Military Official hunting down someone would be FANTASTIC.

Like I wrote before (re: Scandal), love to see it when they have a woman doing this kind of thing. As long as it has tension and good drama, it will work.

Although I see Burn Notice as having run it’s course 2-3 seasons ago, I still check it out. Don’t know how they do it, but every episode gives me anxiety attacks. They just know how to rack up the insanity.

Love Sci-Fi / Fantasy / Cop Drama Genres

But the following three shows have gone beyond jumping the shark:

  • Vampire Diaries – Kat Graham
  • Fringe – Jasika Nicole
  • Bones – Tamara Taylor

True Blood – Rutina Wesley

Been trying to get started. One day I’ll grab the DVD collection and see what’s up.

Aja Naomi King
Aja Naomi King

Emily Owens MD – Aja Naomi King

Smart, as well as beautiful; apparently, a Yale graduate too. Haven’t watched the show. I guess it’s a funny Grey’s Anatomy?

Revenge – Ashley Madekwe

I had no idea she was there from the beginning, but yeah, episode 1, she’s there when it all begins. I like her character. Although my true favorite is Nolan Ross played by Gabriel Mann. He’s the guy with the best lines.

Nice campy drama. Doesn’t take itself too seriously.

Carrie Diaries – Freema Agyeman

She’s from Dr Who.

Touch – Gugu Mbatha-Raw

I wanted to watch this show, but I think the Fox network has been moving it around. I hope it stays around so I can check it out. GMR is from a short-lived black (married!) spy couple show on NBC a few years back.

The Neighbors – Toks Olagundoye

Spartacus: Vengeance – Cynthia Addai-Robinson

And thanks to all of you who reminded me to add these shows in the comments section. I appreciate it very much! 😀

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Mr. Easy-on-the-Eyes
Jay Ryan a.k.a. Mr. Easy-on-the-Eyes

Special Mentions: No Black Women Starring, But Enough “Color” to Be Interesting

The CW TV Network – Kristin Kreuk and Nina Lisandrello

I’ll give the CW props and much credit for having shows with black women. I watch the new Beauty and the Beast, and although the two mentioned above are not black women – I like Kristin Kreuk, and Jay Ryan is extremely easy on the eyes – it may be the first show I’ve seen with two minority women as cops in the lead.

Interesting show. And fun to watch.

The CW TV Network – Nikita – Maggie Q

I watched this show when it first came on. I have to give them credit, there was a black girl (Tiffany Hines) in the first season and partially in the second. There were a few more on the program, but since I lost track of it around season three, I couldn’t tell you who is in the current lineup.

As Faith says in the comments, this is the first time an Asian (or half-Asian) woman had her own show on a network. Not bad.

Elementary – Lucy Lui

I love this show. I also like the growing relationship between Jonny Lee Miller (as Sherlock Holmes) and Lui (as Watson). I’m a fan of Lucy Lui. I’ve always liked her “coolness” in the roles she plays. The show doesn’t rush the plot(s), although some episodes are a bit predictable, but I like that they refrain from constantly chasing after and shooting at people. I find that to be a waste-of-time filler on a number of cop dramas.

I mentioned in the comments, that by episode 5 – called Lesser Evils, Anika Noni Rose plays Lui’s best friend. I very much liked that, because I cannot recall the last time I ever saw a black and Asian woman portray friends, of any sort, on a major network TV show. Usually that role is filled by a bubbly blond with big teeth, head and a perfect disposition.

It was really nice to see a difference for a change. Sometimes I get the impression from TV programs that black and Asian women can only have white women as best friends. And that’s not a normal or healthy reality for the media to promote. As far as I’m concerned, anyone and everyone can play someone’s best friend.

MOVIES

Here’s the top 20 grosses of 2012 (grabbed from boxofficemojo.com):

  1. Marvel’s The Avengers
  2. The Dark Knight Rises
  3. The Hunger Games
  4. Skyfall 
  5. The Twilight Saga: Breaking Dawn Part 2
  6. The Amazing Spider-Man
  7. Brave
  8. The Hobbit: An Unexpected Journey
  9. Ted
  10. Madagascar 3: Europe’s Most Wanted
  11. Dr. Seuss’ The Lorax
  12. MIB 3
  13. Wreck-It Ralph
  14. Ice Age: Continental Drift
  15. Snow White and the Huntsman
  16. Hotel Transylvania
  17. Taken 2
  18. 21 Jump Street
  19. Lincoln
  20. Prometheus

And special mention to the following:

  • Battleship (2012) – Rihanna as Petty Officer Cora ‘Weps’ Raikes
  • Immortals (2011) – Ayisha Issa as High Priestess #4
  • Joyful Noise (2012) – Queen Latifah.  I wrote a post about this film.

Yeah, there are the Madea / Tyler Perry and other type of flicks that came out, but I have no intention of listing them.

Skyfall – Naomie Harris – Eve

Based on box office projections, this may be the most successful James Bond flick so far. Interesting.

And yes, it’s awesome to see another black woman in a big box office hit. See Hollywood? Including black women doesn’t hurt your bottom line at all. So, stop lying about how our lovely, dark-skinned faces cost you people money with the overseas market (and even domestic). I mean, if I can even see black women in Korean dramas speak a few lines, what’s the excuse for Hollywood besides racist sexism?

I confess that I haven’t seen Skyfall, yet. I will when it hits Amazon, Netflix or on a DVD at some point. I’ve cut back on going to the theaters.

You know the main reason I don’t see movies? Unless it’s an action film where I don’t care for the dialogue, I find that 90% of the time, I have no idea what characters are saying. When I watch something via Amazon or on DVD, I put the close caption on. And it turns out people are saying things completely different from what I expected.

I think that’s why I prefer classic old films, I understood what everyone said. Today, most of what comes out of an actor’s mouth is unintelligible. Not paying $10 plus to hear somebody mumble.

The Hunger Games – Amandla Stenberg as Rue

I don’t have much to say about this film. I didn’t see it. I have no plans to see it. I think there was an online ruckus, because white liberals admitted that they are indifferent towards the death of “innocent” black girls, don’t believe they exist or something to that affect. Please DO NOT explain the deal to me in the comments: I don’t care. I guess people were surprised by the blatant racist sexism hatred or something.

Hey, I grew up in NYC, capital of white liberals. Folks finding out that they don’t regard black girls and women as human beings is no shocker to me…. But, oh well … gotta find out the truth at some point, I guess.

21 Jump Street – Holly Robinson Peete as Officer Judy Hoffs

I had loved this show. This is where I became an early fan of Johnny Depp. I always hoped there would be something to that something between his character and Holly’s.

Didn’t see the movie, so I don’t know how much screen time she got. But it’s nice to know they remembered she was on the show. It was rare to see a black woman in a role like this one.

I’d give you more, but I’m exhausted. I’m happy there was a lot to include.

And if people remember other programs I may have missed, please list them, minus the Tyler Perry stuff.

So, Was Hollywood Good to Black Actresses in 2012?

I’ll give them a B. Was I too generous? Well, I’ve definitely seen an uptick in two black parent black women, even in commercials, so I’ll give them credit for remembering we exist. There are some movies or TV shows I wont watch if it seems like a waste of time, whether it has a black actress or not.

I always want to support the good, quality works that have black women in it. Like it or not, the media is an incredibly powerful image tool. If we look good / great, people do treat us accordingly, it’s conscious and subconscious.

So, I don’t mind if we’re invisible sometimes, I’m not looking for blind inclusion each and every time. It’s when we are included and look a hot dysfunctional mess that gets me upset.

Happy New Year. Let’s see what 2013 brings.

Prayers go out to all those who have lost loved ones. May we all find more love, forgiveness and peace in the coming year.

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Black Women and Asian Men: K-Pop Video with Jay Park Makes History

Sorta continuing the BW / AM theme

The following link is an article from oneasianworld.com: Mauika Hicks makes K-Pop history by being the love interest and lead dancer for Jay Park (he’s American of Korean descent).

Some excerpts – the rest you’ll have to read at their site. It’s quite an informative interview.

Paulette: How does it feel to be the first African-American female lead dancer and love interest in a Kpop (Korean pop) music video (MV)?

Mauika Hicks: It’s such an honor and blessing. I’ve received so many positive messages from young African-American girls and people from all races telling me how much I have inspired them. To inspire people is all I could ever ask for. I feel so proud to be a part of history in a sense.

Paulette: When you got the part, were you aware that you broke the glass ceiling for a black woman to be in a Kpop MV?

MH: Not really. It came as quite a shock.

And this …

Paulette: Jay Park is a pretty big star. He was the lead singer in 2PM, opened for Ne-Yo, performed with MusiqSoulChild, just finished his first sold-out U.S. tour, appeared in a couple of films and the list goes on. Were you familiar with his work before being cast in the MV?

MH: I didn’t know Jay before the video. Once I booked the job, I did a little research online and realized just how big of a star he is!

Paulette: You and Jay have this amazing, off the chain chemistry in the MV. How was it working with Jay?

MH: Thank you! It was very easy working with Jay. He was very down to earth and hands-on in every aspect of the video. Sometimes it can be a challenge working with artists, but not with Jay. He was very professional and just amazing to work with!

Mauika Hicks appears at the 2:07 mark.

 

He’s Famous And Fearlessly Included a BW

You know how it goes in the US, when someone wants to eventually become famous – they put a couple of black faces in their videos or music. When that success has been achieved, we’re the first faces gone. Everything fades to white.

I wanted to highlight something about Jay Park: he’s already a big star. Yet, he didn’t shy away from bringing a BW into his music video – even in Korea (a country not known for embracing or being a multicultural society, obviously). He didn’t use any “scare away the fans” excuse for excluding a BW, unlike some of the hypocrites and phonies over here would.

Good on him.

Remember, Hollywood and the American Media loves to claim that our black faces will make people – around the entire world! – avoid their crappola media content if we’re front and center.

Call bull dung on it. It is their bigotry at work, not the international folks. And people will always criticize the content – that’s a given.

Last Note: How White Women Roll

We have a famous actor – from Europe – being stalked by crazy white supremacist women (along with those horseface online and print magazine editors). He dares to publicly be in a relationship with a black woman, while he is incredibly hot and rich. It is not happening before he’s famous, and he’s not hiding her like a dirty secret either.

And I bet it will not affect his career one whit.

He’s being criticized by these same Neo-Nazi bitches who will chime in “love is colorblind” on every IR forum, but only if the chick is a white woman. Otherwise, they will wonder what’s wrong with the guy, denigrate the black woman’s looks and basically go bonkers. Because every man must find them attractive, or the world is off-kilter.

Always remember these are the same people who run the media. That’s why you rarely see uplifting images of black women in a positive, attractive and alluring manner, because these people want it that way.

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Links relating to this topic are welcome.

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One Asian World Interview – First Black Woman as Love Interest

 

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Media Watch: Black Women and The Blind Side

I sorta liked this movie. Yet, I was also disturbed by it.

I happen to like Sandra Bullock, even though her taste in men is dreadful. 🙂 So my criticism is of the film itself, and not her as an actress.



Also, I’ve learned not to expect anything meaningful from Hollywood, especially with movies including black women. For these people, it’s about, “Which stereotypes shall I use today?” Quality drama is reserved for “special” white men, white women and a favored ethnic token or two. The writers, producers and directors will probably never evolve meaningfully or intelligently into viewing non-white women as human beings. Hollywood is composed of limited, talentless, shortsighted creatures – no matter how many Oscars they hand out to themselves as examples of excellence.

They only wish they knew better.

And I know people mean well, but enough with the, “That’s why we gotta make our own films,” mantra. I have no bloody frigging interest in making films. Seriously. I just don’t watch anything they put out if I’m not satisfied. Plenty of Korean dramas, foreign films, and classics to watch, or books to read. End of story.

But I’ll criticize the crap if I want to.

A Familiar Theme

The Blind Side tapped into a familiar storyline that I’ve seen (or heard about) in a number of films or TV shows. Guess what Six Degrees of Separation, Fresh Prince of Bel-AirAntwone Fisher and The Blind Side have in common? A young black male gets taken in or is saved by someone. Admirable stories, of course. I applaud those efforts.

I’ve watched a lot of movies – I’ve been searching my frazzled brain – have there been any versions where young black females, alone, no siblings, have been helped? Maybe I missed those nice Lifetime flicks. I’m sure there have been some. How about TV shows? Any major film releases in the last decade? Someone lemme know if you’ve found any. And Precious doesn’t count.

Is it because people have this notion that no one would see a film where a young black girl / woman is taken in and assisted by a wealthy white family? Is it because people realize a white women would see the young black girl / woman as a threat to her stable white family? Maybe she’d end up in the sack with the husband, grandfather, uncles or Gawd Ferbid, her studly sons?

Or is that no one thinks a black girl / woman is worth saving in the first place? Do folks think she will land on her feet like a cat falling off a highrise balcony?

No One Is Coming To Rescue You

The message from those films, and TV shows, I’ve mentioned – like the elimination of black women from history (a la Red Tails) – is that you’ve already been sacrificed. You shouldn’t wait to be rescued, like Antwone Fisher, or any other black male, or white woman, or favorite token ethnic, because no one cares. Those groups are established and recognized “victims”. Black girls / women are not.

Remember that each and every time someone starts a project, foundation, scholarship, or organization to solely benefit black girls / young black women, the inevitable whining begins. But what about my boys? What about black boys? And it needs to be asked, “What about them?” Why is everyone so stingy, mealy mouth, about something just for the girls? If the whiners want change, they can start an organization for their boys, although gazillions of them already exist.

I wonder why there has not been any TV shows, movies or media stories celebrating the taking in and uplifting of a black girl / young black woman? We had The Secret Life of Bees, a story where black women take in a little white girl. Would the movie have been made if she was a black girl? Even in stories where a young black girl is given a home, like in I Can Do Bad All By Myself, it’s done with her male sibling. And predictably someone tries to rape the child. Would the movie have been made if the siblings were girls?

If the young girl is always at threat of being sexually abused, why is she regarded as the problem?

Boys Are Preferred

The reason why movies, TV shows, and media stories focus on the rescued boys is this: they’re “endangered”, more vulnerable than girls, don’t get pregnant, wont seduce your male family members (heh), aren’t a hassle (no worries about sassiness), and at least with the boy, his saviors can get a decent return on their investment if he excels at sports.

Who said it wasn’t a man’s world? Those things right there prove that if a young black male pulled himself together, with plenty of the “right” assistance, he could step higher into mainstream America by virtue of having a penis. There is a support structure in place. Those who whine about, “What about my boy?” miss this fact entirely. His color matters less than if his head(s) is in the right place. Black mothers (and plenty of fathers) seem blind to this opportunity.

Black Girls Be Gone

See how everyone misses the sexism and racism against black girls? No one is thinking of them. It’s always about saving the “brothas”, save the endangered black male, or save our black boys. Worthwhile efforts. Yet, all children need help. Not just one gender.

People ignore the plight of black girls, because they are regarded the same as stray feral cats: able to take care of herself (even at ages as young as 8 years old) and it’s not a topic worth bothering about.

Blindsided Opportunities

Every movie that pretends to be uplifting, is also in danger of spreading another message that isn’t as compassionate or endearing as they’ve imagined. Some people are likely smeared in the process. Like black women.

The Blind Side was about a “good white Christian” family, specifically a southern woman, taking in a homeless black boy, Michael Oher, (who’s really big, seems mentally slow, but he’s really a gentle giant – think Michael Clarke Duncan in the Green Mile). Throughout the film, I had this imagine of a family seeing a big stray dog by the road, taking it home and not realizing it’s a wolf.

Sandra Bullock’s character had that irritating “white woman’s moxie” that worked my last nerve throughout the film. That whole pushy, obnoxious, y’all gonna do what I say because I am sooooo special routine was so annoying…. But hey, she was doing it for the boy. That po’ boy. She was gonna save him. ‘Cause if he was a homeless she, well, um, things would sort themselves for the girl. Couldn’t bring that home. A black boy, yes. A black girl? Nevah.

Two Sides of the Same Negative Coin

There were two black women in this film. Neither one served in a good light.

Oftentimes on TV shows, or movies, we get the tough talkin’ ball bustin’ black chick who comes in and runs game. Rarely likeable. Rarely attractive. If she is good looking, it’s guaranteed that by time her acting is done, her performance has drained her femininity away. And that’s done on purpose. Some of us are fooled into thinking that’s a power position or a positive thing. Trust me on this one: you’re not being served when presented as the tough talkin’ ball bustin’ black chick who comes in and runs game. That character always has a black woman’s face.

Remember now, it’s called, “Othering”. Don’t ever forget that.

Both Equally Bad: Dark and Light

Michael Oher’s mother was shown in a dark, dank and dilapidated apartment. Of course, she was a shamed-faced crack addict, who had her children taken away. When Sandra Bullock’s character came for him, she passively accepts the “purchase”, oh sorry, releasing of her child to this “good Christian white woman” (GCWW).

The GCWW may have listened to the sorry story of Michael Oher’s momma, but did nothing to offer her help. Hey, we all know by now that a (poor, black) drug addict is a lost cause. And no one is supposed to help a black woman anyway. You’re on your own, pardner.

However, the son is worth something. He could be used for sports. His mother? She done served her purpose. She popped out big boy!

Remember back when the last saving grace of a black mother was that she’d do everything for her children? Now, that’s even been taken away. A GCWW makes a far superior mother as well.

The image of black motherhood, black womanhood and self-sufficiency has been completely tarnished.

On the flip side, we get a light and bright black woman who’s brought in, by the NCAA, to interrogate Michael Oher’s decision to attend good ole Miss (segregation history). I believe he was interrogated, but by a black woman? Pshaw. Gimme a break.

But the movie required that an evil tough talkin’ ball bustin’ black chick comes in and runs game. Hate those characters. Hate ’em all. These mannish black women roles have to end. Let white women keep them.

Oh, and that “mean black woman” is edjumacated, articulate, smart and very bitchy.

They put her and Oher in a nice bright room. And she attacks him like a hungry feral cat. She’s cold, offers no comfort, and doesn’t behave like an ally. The assumption is that a man (white, black or other) would have some sympathy for Michael. But by having that “mean black woman” we see how they are presented as being in the way of this young black man.

Did You Get The Message? Black Women Are in the Way of Black Male Progress

Michael Oher’s first impediment in life was his mother. I’m sure if the movie had time for more they would have tossed in more black women who get in his way. The last hurdle was the NCAA interrogator. If she stops him – his ability to play football and his new life would be hampered.

Way to go black women!

And who showed the black male the way forward? Those GCWW. Showing him what a real mother is like, what a real wife is like, what a real sister is like, what a real nurturing spirit is like, what a real woman is like, and what real femininity is like. So good, that women like her would make an excellent wife.

Lemme recap real quick: this movie made a deep comparison between two sets of women. The GCWW and white “sister” versus the crack head black “mother” and black corporate ball buster.

Guess what black women: you lost. And I bet you weren’t even paying attention, because Michael’s story was so “uplifting” and “wonderful”.

In Summary: Separate Shouldn’t Require Elimination

We have, in theory, talked about black women (who are “free”) moving out of the regressive, dwindling, faux or non-existent “black community” to integrate with the rest of society to improve their lives and explore it to the fullest extent.

I’d say black men have been freely doing it for years. However, the media has made it quite clear you, black women, were dumped curbside quite a while ago. The message is that it is the black male who is better off without you. Somehow, if he’s not succeeding, it’s your fault, whether he’s family or a stranger.

I don’t know about you, but I find that to be a dangerous message. I hope it wont be repeated.

It’s different to want to disengage and live the way you see fit – as a black woman. That’s different than messages sent via film that black males aren’t succeeding, because black women (family or not) are crippling or denying him access to a better life.

And we often hesitate to push back against any message that seems anti-black woman, due to not wanting to be viewed as hampering black male achievement. But it doesn’t have to be an either or situation. Black men  aren’t the least bit worried about the well being of black women. Frankly, they’re running full tilt somewhere else. Try visiting an all white “hipster” club and watch the usual 2-4 negroes freak out. How dare you intrude into their special space and have a social life? They’ve made it clear that they don’t respect you.

Besides, other folks will take care of him, which takes a load off your back….

So, let’s not be blindsided anymore, black women. Be an advocate for yourself. Be an advocate for young black girls.

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Black Actress Update: Hollywood’s Shrinking Box Office

I know if I made money the way Hollywood did, I’d be ecstatic. Especially when you have the most creative accountants in the world who can turn billions earned into “losses”. All legally, of course. That’s what you get for having the US Congress in your back pocket. I expect when their earnings decline even more, they will be asking for public funds to keep the business afloat (See General Motors). That will occur right after they make it illegal for anyone to say or watch anything on the Internet (pending legislative as of now).

But I digress, imagine being able to push garbage at people and compel them to head to a filthy, loud and uncomfortable theater just to sit through crappy schlock for nearly three hours? That clearly takes genius to run this con year after year, week after week and day after day. If they think they are losing money now, wait until everyone can download a film in the blink of an eye and re-create a movie theater at home without the nuisance, annoyance and hassle of a public one.

Nothing To See Here, Move Along

The box office take for Hollywood has been weak: headlines blurb about the lower attendance rates. A money quote from the BBC article:

“It’s unbelievable how bad it is,” said Hollywood.com analyst Paul Dergarabedian.

Are we supposed to weep for them? I thought this would be a bonanza year, since they have defenders, who say that films with too many black people – men and women, not just the guys – wont make money. This was the year of the whitest films around.

I’m usually a movie fiend, but this has been the year where I missed many of the “blockbuster films”, except for X Men: The Lamest Generation and Mission Impossible: Making Tom Cruise Hot Again. There may have been another, but I often forget a film the minute I leave the theater.

Come Back, Again, Ya Hear!?!

This was the year of sequels, remakes, prequels, comic books and animation. Proof of Hollywood’s emptiness.

The top 20 films of 2011, according to Box Office Mojo. I have a page that shows the same content of all the Top 100 films.

1 Harry Potter and the Deathly Hallows Part 2 $381.00 WB
2 Transformers: Dark of the Moon $352.00 P/DW
3 The Twilight Saga: Breaking Dawn Part 1 $272.00 Sum.
4 The Hangover Part II $254.00 WB
5 Pirates of the Caribbean: On Stranger Tides $241.00 BV
6 Fast Five $209.00 Uni.
7 Cars 2 $191.00 BV
8 Thor $181.00 Par.
9 Rise of the Planet of the Apes $176.00 Fox
10 Captain America: The First Avenger $176.00 Par.
11 The Help $169.00 BV
12 Bridesmaids $169.00 Uni.
13 Kung Fu Panda 2 $165.00 P/DW
14 X-Men: First Class $146.00 Fox
15 Puss in Boots $143.00 P/DW
16 Rio $143.00 Fox
17 The Smurfs $142.00 Sony
18 Super 8 $127.00 Par.
19 Rango $123.00 Par.
20 Horrible Bosses $117.00 WB (NL)

 

The fresh entries: The Help, Bridesmaids, Super 8, Horrible Bosses, Rio and Rango. So, out of the top 20, roughly 6 of them were “original”, fresh-out-of-the-box material. Heh.

The Non-Mystery of the Twilight Lure

Honestly, doesn’t Breaking Dawn sound like a porn title, or is that just me? 😀

Breaking Dawn In

The funniest thing I’ve read were reports of women having “seizures” at this latest Twilight film, and no one knew what it was. It’s called an orgasm, people. Sheesh. It’s the 21st century and female biology is still a mystery. Um, women like Twilight and Vampire flicks, because of the eroticism. The yearning, withholding and anticipating. He’s a bad boy, and an eternally powerful man who bites and licks the neck, targeting one of the erogenous zones of the female body.

Yeah, “seizures.” Okay.

The Black Actress: Inclusion or Exclusion?

Forgive me for not listing all shows, or movies with a black actress. If you find some with a black actress of interest, please add it to the comments section. Let’s look at the top films of the year and see if that hypothesis is true, you know: less black women (or nice black male actors) equals more money per film.

When I glance at cast credits, I look at the first 5 to 10. They get the most speaking roles, so even if a black actress gets one line and is part of the scenery – to me – that doesn’t count.

Films that include black women in starring roles also (animation doesn’t count):

1. The Help – love it or hate it, we got a film about being maids, in 2011. Thank you, Hollywood. Thanks so much. All we black women can do is still be maids in the 21st century. A black woman is First Lady, but these people have us doing roles cleaning some white woman’s toilet with dignity! whilst pretending that’s got something to do with civil rights. Alrighty, then.

2. Bridesmaids – big hit – from the people that brought us Hangover. Not sure how much of a role she played, but Kali Hawk (love the name) is in it.

Update: Somehow I missed Maya Rudolph, and she’s one of the stars!

Thank you for the tip, Vonnie!

3. X-Men – Does not have a black actress with two black parents, but a half-half of two half-half was in it. So, I flipped a coin and decided to include Zoë Kravitz.

 Here’s the bottom 20 movies of 2011 for comparison:

80 In Time $36.00 Fox
81 Colombiana $36.00 TriS
82 Sucker Punch $36.00 WB
83 J. Edgar $36.00 WB
84 Larry Crowne $35.00 Uni.
85 The Descendants $35.00 FoxS
86 50/50 $35.00 Sum.
87 Drive (2011) $34.00 FD
88 A Very Harold & Kumar 3D Christmas $34.00 WB (NL)
89 Courageous $33.00 TriS
90 The Rite $33.00 WB (NL)
91 Arthur (2011) $33.00 WB
92 The Girl with the Dragon Tattoo (2011) $32.00 Sony
93 The Adventures of Tintin $31.00 Par.
94 The Debt $31.00 Focus
95 Priest $29.00 SGem
96 The Mechanic $29.00 CBS
97 Abduction $28.00 LGF
98 Beastly $27.00 CBS
99 Winnie the Pooh $26.00 BV
100 Killer Elite $25.00 ORF

 

Anything Else We Need to Know?

An action film with a black actress is a miss, but the black actress as a maid might be up for an Oscar? Oh well.

1. Columbiana – Zoe Saldana. Perhaps she should stick to romances or something. Seriously, no one is going to believe that a 55 pound woman – soaking wet – can kick anybody’s ass.

2. Drive – Tiara Parker – don’t know if she has much of a role.

3. Larry Crowne – Tarina Pouncy – don’t know if she has much of a role.

4. Courageous – Eleanor Brown – don’t know if she has much of a role.

Notice that a lot of the big stars made spectacular flops this year? People are tired of them too.

Some of the bottom films are likely new releases, so those numbers will change for next year.

And that’s all folks….

Happy New Year. 😀

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Media Watch: Korean Dramas – How the Media Creates or Changes Perceptions

Language Skills

I started watching these shows, since Hulu added this category. What’s interesting to me, is that I’m beginning to understand what the characters are saying in Korean. Words are floating around in my head, because they’re repeated so often. I can read a few words in some languages, but I’ve never picked up a language as fast as this one. I’ve always viewed myself as foreign language impaired. I’ve had Spanish in school. I’ve listened to Spanish for years, and I still cannot make heads or tails out of most of it.

In the Korean Dramas, the people speak slow enough that I can tie the English subtitles to the spoken words. The dialogue isn’t complex, very long or involved. On occasion, some characters that supposedly spent time in the US, or are Americans, make a determined effort speak to English. Although badly. Nearly everyone mumbles words they need to enunciate.

Media Image is Everything

Since watching these programs, I’ve come to realize that they aren’t made just for a Korean audience. They are created with an awareness that the rest of the world will be paying attention.

These shows have given me a different impression of Koreans, as opposed to the ones I’ve been acquainted with here in the USA. Do I see the portrayals as realistic? I don’t think that’s the point of the programs. Whatever images there have been of Korean men, have been modified, if not overhauled, by these shows.

According to a Washington Post article (from 2006), the success of the revamped or enhanced image of Korean men have done the following:

In recent years, the wild success of male celebrities from South Korea — sensitive men but totally ripped — has redefined what Asian women wantGone are the martial arts movie heroes and the stereotypical macho men of mainstream Asian television.

…Yoshimura signed up last year with Rakuen Korea, a Japanese-Korean matchmaking service, to find her own Korean bachelor. And she is hardly alone. More than 6,400 female clients have signed up with the company…

In part, the new allure of Korean men can be traced to a larger phenomenon known as the “Korean Wave”…

…the number of foreign tourists traveling to South Korea leapt from 2.8 million in 2003 to 3.7 million in 2004. The bulk of the growth, South Korean tourism officials say, stemmed from Korean Wave-loving Asian women. Partial statistics for 2005 indicate the feminine tide has not yet let up.

For the South Koreanswho have long suffered discrimination in Japan and who have hardly been known as sex symbolsit all comes as something of a shock.

Entertainment industry leaders in Seoul credit the phenomenon to good marketing coupled with an uncanny response throughout Asia to the expressive nature of the South Koreans — long dubbed the Italians of Asia. A hearty diet and two years of forced military duty, industry leaders and fans insist, have also made young South Korean men among the buffest in Asia. Most important, however, has been the South Korean entertainment industry’s perfection of the strong, silent type on screen — typically rich, kind men with coincidentally striking looks and a tendency to shower women with unconditional love….

Throughout Asia and other countries, women are watching TV shows and movies to such an extent that they have become enamored of the fictional representation of a specific group of men. So here we have proof that there is a direct connection between a positive image of a group and the corresponding response to it.

What Some of the Guys Look Like

I find some of the Korean male actors smoking hot, some cute and others moderately good looking. Although I find the “fashion” on the shows rather odd looking, but hey, I congratulate men who aren’t afraid of being edgy.

Cha Seung Won

Cha Seung Won: He's able to look so different each time.
Jung Gyu Woon: I have yet to see a show where he doesn't end up fighting.

 

Kim Sung Soo: Love those lips. Puts my dirty mind into overdrive.

 

Kang Ji Hwan
Kang Ji Hwan: I love his nose.

 

Positive propaganda: is enhancing imagery to increase the desirability of a group.

The entertainment industry, basically the media, alone is responsible for the complete overhaul of the image of Korean men, so much so it has made the men hot commodities for the women who travel the country looking for one as a husband. It’s overturned reality and made such an indelible impression on women just from watching Korean Dramas.

In case you ever wonder why black women have negative, degrading stereotypical images, always remember to thank Hollywood and our media. Think about it the next time you think it’s important to embrace the “othering” of black women with those “keeping it real” negative images.

If anyone really wants to improve the desirability, popularity and increase of desire for black women: the best looking have to be highlighted, the most sophisticated has to be highlighted and the most engaging, lively and lovely ones have to be embraced.

Otherwise, we’re just shooting ourselves in the foot.

So, think about who you are embracing if the only thing they highlight about black women is constantly negative or off-putting. Those people aren’t doing you any favors. They’re deliberately sabotaging you.

****

Update: Korean Men Marriage Rates

I was asked to provide some data, so I dug up some stats. If they seem funky to anyone, please put up the correct numbers.

Throughout the world, more males than females are born. This imbalance is natural. However, in Asian countries it is exasperated by female reduction from sex selection in the womb (abortion), export adoption of girls, and other extreme methods. The result is a population of males outnumbering females. Based on the gender imbalance in Korea, social changes, population movement to urban areas, there are more men than women available and interested in marriage.

So, whom do Korean men marry? Funny enough, it turns out they marry all women. Although black women are a miniscule portion of the population in Korea, there are likely marriages between the two. With the USA having 1.3 plus million Koreans, it turns out that they are the East Asian men black women are most likely to marry. Certainly not in significant numbers overall, but it does happens.

And I’m just as surprised as y’all are by that information.

In 2005, 14% of all marriages in South Korea were marriages to foreigners (about 26,000 marriages); most were Korean men marrying other Asians. Government figures show the number of Koreans marrying foreign spouses increased from 4,710 in 1990 to 33,300 in 2009. And numbers are expected to continue rising. More than 100,000 women among South Korea’s 1.2-million foreign population are estimated to be foreign brides.

Bonus

YouTube link: the marriage between a Korean man and an African American woman. The wedding is awesome; sexy and sweet too.

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Hollywood’s Obsession with Nazis

Missing Pieces of the Puzzle

One of the first scenes in X:Men First Class is devoted to a concentration camp … and Nazis. I turned to my friend, asking, “Why?”

She said, “They are the obvious bad guys.”

When we saw Shutter Island, I wondered. “What do the Nazis have to do with DiCaprio‘s character being crazy?” Maybe I missed something?

Inside Man was a great film. Fantastic build-up of suspension. The Clive Owen, Denzel Washington face-off is terrific. The bank-heist, but not-bank-heist concept was fascinating and riveting. Everything was on point, except for the reasoning behind the act. Let’s just say, it had something to do with – you guessed it – Nazis. It didn’t have to be the driver of the film, because anything more intimate, emotional, and feasible would have made more sense. It didn’t work as the glue that would have held the film together.

Even the over-hyped, critically acclaimed, creepy yet coma-inducing film American Beauty included a coming-right-out-of-left-field Nazi connection. If Chris Cooper’s character was a Confederate flag waving, KKK sympathizer, I could understand the subtext, but that kind of link never gets made. So the significance of the Nazi stuff was never clear to me. As far as I can recall, the film had no black or Jewish people.

Hollywood’s Historical Revisionism

I was reluctant to watch Inglorious Basterds. I avoid films about WWII. It got rave reviews, which made me suspicious. Whether a Hollywood film is good, bad, or indifferent, if it includes Nazis it automatically wins an Oscar. Sort of like being handed a Nobel Peace Prize, because they like the individual. It is not due to a significant paradigm changing action on the winner’s part.

Was it worth seeing? Christoph Waltz and Michael Fassbender (hotness) steal the show. It was an interesting dramedy, entirely tongue-in-cheek. It rewrote history. I wont give away much more than that. However, watching an ultra-blond Brad Pitt (Lt. Aldo Raine) say, “Nazis” with a southern drawl, over and over and over again struck me as bizarre. And his character is named Aldo? Okay.

I get that Raine was doing his patriotic duty at that time. But did America really have that kind of antagonism towards the Germans? I suspect it existed for the Japanese, based on the creation of internment camps. I read that German prisoners of war were treated better than black American troops. During that time, America quite easily turned away Jews fleeing Europe. Plus, let’s not forget the southern pastime of lynching blacks.

I guess historical revisionism makes for “fun” fiction, and that’s what Hollywood does so well.

From Flag Waving Patriots to Something Else

There are two ways of looking at Hollywood’s portrayal of WWII: the time during the war, and the films that came after. Movies were very patriotic from the 1930s to 1950s. Those movies supported the country, its soldiers and citizens. They seemed over-the-top and a bit corny, but they never wavered from the subject of doing the “right thing”: saving a civilization’s freedom and liberty. It had its flaws, but it certainly was better than what the Axis (Germany, Japan, Italy, et al.) offered.

However, once this era passed, Hollywood’s movies shifted from blatant patriotism to something else.

The Indiana Jones film series has always been top among my favorites. Yet I found it odd when he said that he hated “Nazis” in the same vein as snakes. Why did I find it odd? Jones never came across as the flag waving type. Maybe if I saw the films again, that ethos is there, but I never felt that fueled his motives. It was always about the glorification of Jones, not America. He’s a hero for his self-interests, not because he was doing it for the “greater good”.

I also wondered, why would Nazis bother him? The movie franchise showed him in countries, territories, or colonies full of non-white natives he had no trouble shooting at, destroying their environments, ignoring their laws, and all other manner of conduct filled with blatant disdain. How was he any better than the “bad” Germans?

The Easy Choice Keeps Mutating

Movies have been remaking Nazis and turning them into something far worse than ever before. Various genres have cast them as sinister, time traveling, never aging, alien(?), world altering (Hellboy shows us it’s the Nazis’ fault again!), genetic mutating, and all consuming end-of-humanity evil geniuses to be vanquished. With those superhuman superpowers, it’s a wonder the “good guys” ever won, or will win, in these never-ending Hollywood movie wars.

Right. Right. I get that they are the obviously easy choice in today’s multi-polar everyone-gets-their turn-at-being-bad-and-evil kind of world. ‘Cause if the bad guys aren’t Nazis, then it must be an individual from the US military, or the entire government defense apparatus. In today’s Hollywood, it’s one or the other. Absolute patriotism is unfashionable. Plus, there’s a world market to sell out to.

And looking back in this manner to WWII, it is way easier to focus on Nazis than by offending the nutjobs that inhabit the world today.

The Reflection in the Mirror

With each and every film devoted to Nazis in measures big or small, I suspect subjective seepage. In some ways, Hollywood itself promotes a Nazi-like form of white supremacy. Unfortunately, the industry is blind to itself and lacks self-awareness. They are certain that they are the most creative, media savvy, “hippest”, smartest, and quite possibly the most moral, wise and knowing people on the planet. Outside of ensuring they get paid with the same ruthlessness of drug dealers, they are here to bestow knowledge on us dumb and ignorant “little” people.

And don’t we require their sage guidance? Otherwise, movies wouldn’t be filled with these preening dregs of society who often lecture us about what they think a politically ideal, environmentally pure, non-judgmental, perfect world is really like.

Nazis believed that blonds are the ultimate beauty and superior form of humanity. So does Hollywood. The word “blond” is treated as synonymous with “beauty” no matter what that woman actually looks like. Nearly every pale-skinned woman in the media must become a bleached blond. Otherwise, she’s not getting any work. Just glance around and note that every film, every TV show, every cable channel, every news broadcast, and every magazine cover must have a blond woman.

The Nazis wanted to rid the world of “subhuman” (mostly dark-skinned) races to create the perfect society. This elimination theme sometimes creeps into Hollywood films, TV shows, and other venues. Black and minority characters are often the first to die, no matter how idiotically. I can still remember the cheering over the death of that Nigerian character in District 9. Usually, the stupidest scenes are where black people volunteer to be killed: The Taking of Pelham 123 (’09), Mimic (’97), X-Men: First Class (’11), The Shining (’80), etc. I’m sure there’s more, but I’m not documenting every film ever made.

So, When Will the Well Go Dry?

I’m not asking Hollywood to stop making movies about WWII, or any that focus exclusively on the Holocaust, Nazis, blond women, or their favorite character Adolf Hitler. They are free to do so, since it is an easy money maker, crowd pleaser and scores Oscars without difficulty.

At the end of the day, it is all they can think of, since the well of ideas is going dry.

Yet, still, why the obsession with Nazis? I have a hunch that if Germans were deep frying people of color during WWII, there wouldn’t be peep or mention of it in any Hollywood movie what-so-ever. I bet we’d never see a Nazi in any film, sort of like how there’s never any mention, show, or display of slave owners, white American supremacists, small town sheriffs, or national guard members shooting, lynching and killing black people and keeping their body parts as souvenirs.

Is the obsession with Nazis due to some kind of freakish admiration? I believe that their ideology has survived, undergone some mutation, going on to be adopted worldwide via the media and its corrupt offspring the fashion industry. (See designer John Galliano for a clue. He’s not a bug; he’s a feature.)

Then again, adding Nazis to every film could just be a cheap, quick, and lazy rendering of history and riven-of-meaning plot device. Outside of my evaluation, they’re just movies after all, even if people increasingly treat them as historical fact.

Captain America awaits you. Set back in WWII it will, of course, come with no surprises.

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